Posted on March 9, 2012
A journey into abstraction is an experiment in using color, value and texture to reach for meaning beyond the literal.
Some art can be enjoyed for the pure pleasure of the color and form. At other times a work can also draw the viewer into the process of finding their own meaning. While both responses are valid, is one more lasting than the other?
Posted on January 17, 2011
A circle of tightly clustered snails near the water’s surface seems to overlap the circle of rock polished by the action of the sea. Below, an arc highlights a cluster of red globules on the beach next to the round seagrape leaf. While the circle is not always an easy design element to work with, it has always been a powerful symbol and metaphor. These images allude to that power.
Posted on January 1, 2011
A window in a wall between two spaces allows us to look from one space into the other. Looking in, we are often looking from a public space into a more private one. Looking out, we are more often in the private space viewing the more public space beyond. Of course, there are times that relationship is more ambiguous, or even reversed. As a visual metaphor, an open window between two places can also suggest different perceptions of reality layered upon each other and the possibility of movement or exchange between them. The two images here are examples of windows that explore these themes.
Posted on September 17, 2010
Estate Mount Washington in the lush tropical hills of northwest St. Croix contains the ruins of an old sugar plantation and rum factory. The current owners have cleared the bush from around the ruins and invite visitors to come explore the park-like grounds. Amid the ruins is a labyrinth. All are encouraged to walk it in contemplation and thanks.
A labyrinth is an ancient symbol and meditation tool. Unlike a maze which has many twists and turns, dead ends and false paths, a labyrinth has only one path into the center, and the same path back out again. The journey to the center is a metaphor for one’s own journey to their center and back out into the world.
The Mount Washington labyrinth is laid out with smooth and interesting local stones on a bed of soft wood chips. In the center is a bleached brain coral stone surrounded by several beautiful heart shaped stones, one of which forms the background for the image below.
Posted on September 6, 2010
If there were such a thing as compass points within the picture frame, both of these images would be pointing off to the north-northeast. But they seem to be pointing to something else, too.
Posted on January 5, 2010
Each person’s heritage and life experiences are different, creating unique subjective realities that affect our interpretation of the world around us. I like these images because the feelings and stories they evoke for me tell me something about myself.
The original images were captured at night, handheld, without the benefit of flash. I then enhanced the indistinct and impressionistic qualities to make the images even less literal, and allow the viewer more freedom to reach their own conclusions.
Posted on December 10, 2009
This classic was built at the end of an era of unusual excess in automobile design — the period of flamboyant fins, rocketship tail lights, and copious chrome. This had been a police cruiser, and was restored in that manner with one of the dual headlights converted to a red flasher.
Even in this earlier time, cars had become such an integral part of our cultural persona that we signaled our status, beliefs and view of ourselves by the cars we drove. The extreme design elements of the late 50’s and early 60’s surely said something about who we thought we were and where we thought we were headed.