Naturally Abstract

The veins in the leaves and the thicket of plants at the water’s edge.

The moss swaying in the wind, the curve of the roots and the space beneath them.

Even the lowly weed that like a tree camouflages the urban infrastructure.

These natural abstractions help me connect to the natural world in ways I might otherwise miss.

Veins and the Light
Seedpod

Thicket at the Water’s Edge
Spanish Moss Swaying in the Wind

Veins in the Leaves Like Branches in a Tree
Roots and the Spaces Between
Weed like a Tree

More on “The Kiss”

The Kiss Frozen in Time -- 2011

The images here are a more abstract follow-up to the previous post, which focused on the the somewhat controversial “Unconditional Surrender” sculpture by Seward Johnson.

The warm toned image above shows the sailor’s almost feminine closed eye at the moment of the kiss frozen in time. His eye is framed by other elements from the work — elements that suggest some of the strangeness one feels standing beneath this out-of-scale couple, looking up at their embrace.

The abstract below was inspired in part by the splash of red paint that had been used to deface the sculpture in what was probably a social statement, and by the emotional triggers being pulled.

Colors of the Kiss -- 2011

Just Color!

Wood Shutter and Wall - 2009

Wood Shutter and Wall - 2009

An old wood shutter, black iron hinge and peeling paint on the stucco wall provided the raw material. These peeling and crumbling tropical facades are the subject of thousands of photos by tourists and pros alike. Still, I can’t resist adding just one more to the pile.

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