Living so close to and surrounded by the sea, one develops a relationship with it — probably not unlike the relationship desert dwellers have with the desert, or forest dwellers with the forest. This awareness of place can help us be more attuned to messages from the world around us, and sometimes even feel its joys and pains.
Each summer, the local botanical garden hosts “Mango Melee”, a festival focused on mangoes and other tropical fruit. Many of these fruits are unusual in their texture and flavor, and unfamiliar to those of us used to the apples, grapes, peaches and pears more common in the temperate regions. Some tropical fruits are a bit sour, others cloyingly sweet, some firm and crunchy, some…
The newly painted walls of Fort Christiansvaern beg to be abstracted. As I worked with these pictures, I began to view them as visual sorbet, or palate cleansers for the eyes that appeal to the senses without carrying any other message. Abstractions that lack any implicit social or emotional message may be a cop-out, or art-lite. On the other hand, perhaps their straightforward appeal…
To be tethered is to be restrained, tied down, prevented from moving about freely. And that can feel uncomfortable to those of us whose moving about is usually unrestricted. However, some actions, when totally unrestrained or untethered, can trample the rights of others. So being tethered can also refer to being grounded, in touch with reality, one’s actions balanced by consideration for others and…
People can be interesting from all angles. I was listening to a scratch band playing at a benefit in the forest when the man in front of me removed his hat. The graphic image created by his orange shirt and glistening scalp totally distracted me from my intended goal of getting some images of the musicians. A similar thing happened with the dancing woman…
The past few months I’ve been puzzling over the tension that sometimes occurs between the content and subject matter of an image, and its more abstract qualities of composition, color and design. Ideally, the two should complement each other, with the design qualities strengthening the emotional impact of the subject matter — and vice versa. However, I have found that is not always the…
These two almost-abstracts are a little change of pace. The first started as a door in a yellow stucco wall, and the second as a broken guardrail near one of my favorite beaches. But those reference points are largely irrelevant now. It is interesting how non-representational art can demand both more and less of the viewer. Abstracts have the potential to become eye-candy —…
The dead trunk of a palm plant washed up on the shore. At one end was the tangle of roots joined to the base of the trunk. At the other, the spiraled remains of where the living palm fronds had been attached subtly tailed off into fibrous strands. These two semi-abstracts are interpretations of each end of this single object that had washed ashore.