The two old Danish forts on St. Croix — one in Christiansted and the other in Frederiksted — were defended by cannons aimed seaward. The irony is that the real threat to the planter’s culture of that era came from the land in the form of the changing economics of the sugar trade, the end of slavery, and rebellions by workers against the oppressive conditions they endured.
I’m not sure if the cannons were ever fired, but many of them have now found their way to emplacements around the island where they are mounted barrel down on street corners and elsewhere to act as guardrails or barriers. This one, however, was placed into the rock at the ocean’s edge where the salt water and air is taking its toll on the old iron. It’s purpose is a mystery.
Just a few feet away from this relic of the past is a much larger relic of the future, the new clock tower built in the renovated plaza that greets cruise ship passengers as they disembark. On the rocks below the plaza were a pair of jeans and shirt with no owner visible in the water or elsewhere nearby. Perhaps he simply melted away, or even scampered away nude.
We no longer trust beauty as a serious means of investigation. But it can be ... In fact, beauty can be incendiary; it can be subversive; it can make us cringe.
-- David Maisel, Photographer
"It is the function of art to renew our perception. What we are familiar with we cease to see. The writer shakes up the familiar scene, and, as if by magic, we see a new meaning in it." -- Anais Nin
“The more clearly we can focus our attention on the wonders of the universe, the less taste we shall have for the destruction of our race.” -- Rachel Carson