The Irresistible Egg Fruit

There was this pile of bright yellow-orange egg fruit on a red table at St. Croix’s St. George Village Botanical Garden last summer. The jumble of shapes lit with an intense swath of sunlight across the front was irresistible. So I took it home with me.

Occasionally I will go to work immediately on a photograph to produce a final image. However, just as common is the months-long gestation that this one required. Several times I worked on it, was dissatisfied and put it away — only to bring it out later, delete a layer or two (a little like scraping the paint off?) and move forward. That start and stop process sometimes produces an image that is over-worked. But in other cases, it is the only way.

Egg fruit - 2009

Egg fruit - 2009


The painting-a-day discipline of carrying a painting forward to completion each day is different from the luxury of allowing an idea to gestate, going back days later, and reconsidering the strokes of the brush (or in my case, the stylus). Not better or worse, but different. So does that different process lead to different results?

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