Under the Casuarina Tree

The casuarina tree is not a native to the island, and some consider it an invasive. They are tolerant of windswept places and this large example stands along a windswept beach. Its leaves/needles are long, so when the wind blows there is a gentle soothing sound and the small branches sway like little grass skirts. When the needles fall, they form a barrier to…

Donations

This donation box “for feeding the animals” is at a mini-zoo in the rainforest, part of the entertainment at a little stand that sells fabulous tropical fruit smoothies. The brightly hand-painted box sits on the metal base from an old Singer treadle sewing machine — somehow not out of place at all in this rustic location. In another form of donation, the local Senate…

Shoreline moods

“The Calm” looks west in the protected lee of a point during the calm following a squall. The sun had just broken through, illuminating a single cloud and the shallow water at my feet. “Ocean Energy” looks east into a brisk prevailing wind on a sunny afternoon, with only the rocky outcrop to protect the shallow pool from the brunt of the ocean waves….

Hot and Cold

We just spent 10 days in the upper Midwest where it was mostly cold and rainy — so different from the heat and humidity of the tropics. We all experience hot and cold, and often associate certain subject matter with each. For example, an image of a snow-covered field can evoke feelings of cold, while a sun-drenched beach may suggest the warmth of the…

Visual Sorbet

The newly painted walls of Fort Christiansvaern beg to be abstracted. As I worked with these pictures, I began to view them as visual sorbet, or palate cleansers for the eyes that appeal to the senses without carrying any other message. Abstractions that lack any implicit social or emotional message may be a cop-out, or art-lite. On the other hand, perhaps their straightforward appeal…

Messages from the Dark Side

I didn’t intend to produce such dark images. They just seemed to happen. The first came from a picture of some sponges along the beach, and the second is the old “Steeple Building” in the Christiansted historic district. Yes, centuries before its most recent reincarnation as a National Park Service asset, the Steeple Building was a Lutheran church. These may reflect my growing sadness…

Tethered

To be tethered is to be restrained, tied down, prevented from moving about freely. And that can feel uncomfortable to those of us whose moving about is usually unrestricted. However, some actions, when totally unrestrained or untethered, can trample the rights of others. So being tethered can also refer to being grounded, in touch with reality, one’s actions balanced by consideration for others and…

Local Color

The image above is the postcard publicizing my show of new work opening here in Christiansted on May 15th. I hope those who live on St. Croix will come, and I encourage those who live elsewhere to view the show when it becomes available on my website after the opening. I’ll post a direct link here next week. Selecting the images for a show…

Experiments in brilliance

I noticed that some of my prints had an overall darkness to them — in part because I was using relatively small areas of light and saturated colors within a darker background to bring shape and dimension and drama to them. Working on-screen with the light radiating from within delayed recognition of what was becoming a habit. The epiphany came when I saw some…

Head to Toes

People can be interesting from all angles. I was listening to a scratch band playing at a benefit in the forest when the man in front of me removed his hat. The graphic image created by his orange shirt and glistening scalp totally distracted me from my intended goal of getting some images of the musicians. A similar thing happened with the dancing woman…

A conundrum of sorts

The past few months I’ve been puzzling over the tension that sometimes occurs between the content and subject matter of an image, and its more abstract qualities of composition, color and design. Ideally, the two should complement each other, with the design qualities strengthening the emotional impact of the subject matter — and vice versa. However, I have found that is not always the…

Almost abstract

These two almost-abstracts are a little change of pace. The first started as a door in a yellow stucco wall, and the second as a broken guardrail near one of my favorite beaches. But those reference points are largely irrelevant now. It is interesting how non-representational art can demand both more and less of the viewer. Abstracts have the potential to become eye-candy —…